MAGMA
Best of Chicago voting is live now. Vote for your favorites » Not to belittle punk’s largely successful efforts to dismantle prog rock’s pretensions, but there are a few things about the prog era that seem rather lovable now–most of all its tolerance, if not outright encouragement, of serious eccentricity. And no prog band was more seriously eccentric than the French band Magma. An underground legend in the States for decades, multi-instrumentalist Christian Vander’s unwieldy ensemble (composed during its heyday of a rotating cast of European rock and jazz players, with Vander and his wife, Stella, the only constants) is probably best known for its early-70s cycle of mind-bogglingly overwrought concept albums, which revolved around space travel between a degenerate, miserable near-future Earth and a paradisial planet called Kobaia and the earthlings’ inability to accept the Kobaians’ message of peace and spiritual enlightenment....