Steam Heat
Undercover in the House of Love In this repressive atmosphere Brian Kirst’s intricate, erotic play about gay bathhouse culture is particularly powerful. In the 80s, gay performance artist Tim Miller’s frank nudity was a refreshing shock, but Undercover in the House of Love goes further, using explicit sexual choreography to turn the viewer into a bathhouse voyeur, an uncomfortable role that’s more political than pornographic. Kirst manages to demonstrate that sex–even anonymous lust–is more complicated than the self-protective, hypocritical Christian right would have us believe....