The Way We Are
In the Company of Men By Jonathan Rosenbaum Best of Chicago voting is live now. Vote for your favorites » I could cite dozens of other examples, but I’ll focus on one that seems especially relevant to two of my other favorite films at Cannes, Atom Egoyan’s The Sweet Hereafter and Neil LaBute’s In the Company of Men: a refusal or reluctance in reviews to mention or discuss capitalism itself. I suppose this self-censorship may be unconscious because of the omnipresence of capitalism–discussing it may be as superfluous as discussing the air while describing a landscape....